The finished Lilac Leaf

The finished Lilac Leaf.  This was a commission for Norman Stevens.  I presented this to him last night (Friday, June 29, 2018) at the opening of the Exhibition, Celebrating 85, The Stevens Collection.  All hand-carved and painted, I worked exclusively on this piece for two weeks, so that it would be finished in time to present to him in person.  He loved it!

NH Harvest 2011

It's time once again for NH Harvest - A Fine Arts and Crafts Open Studio Event. Every second weekend in October, which for New Englanders falls conveniently on the Columbus Holiday weekend, I open my studio to visitors.

For two days, I share my space with other artists, and we share the 'stage' demonstrating our skills in woodturning, carving, fine stoneware pottery and watercolor and pen and ink drawings.

If you live in the New England area, take a drive into New Hampshire, and stop by my barn. We'll be here from 10 am to 4 pm, Saturday and Sunday. And if you like what you see, we'll have several pieces for sale.

Below are some photos of recent work, maple hollow forms, painted with black gesso, and then chip carved through to reveal the contrasting wood. This is a test piece, practicing random carving patterns. You'll see this, and much more this weekend.

Could You Polish My Piston????

That was the unusual request that I received, first by email and then to my studio phone.

Now before you jump to any naughty conclusions, let me explain. Eugene Henson, of JE Pistons, Huntington Beach, California, (http://www.jepistons.com/) had a wood piston that he and his crew made as a gift to present to their boss, who had been promoted and would be moving to Texas. They bought a piece of wood from Australia, and created a piston using the same CNC machines that cut the aluminum ones that are used in high performance race cars. The choice of wood - I’m guessing Sheoak, or Lacewood, but if any of my Aussie woodturning buddies can help me out, please do - was intentional, said Eugene, because they made pistons for an Australian race team.

“I guess we didn’t really think this through, because after we cut the piece, we wondered how we could put a finish on it, to make it really shine”, said Eugene. “I came across your work on Youtube and your website, and thought maybe you could help us out.”

Working on about a 10-day window, I received the piston that Eugene had shipped overnight, and began working on cleaning up some of the sharp edges. The CNC machine did a fine job of cutting the wood very cleanly, almost too clean, because the edges were sharp enough to cut you. I had originally planned to clean them up with a diamond stone held in a rotary tool, but most of the interior angles were too steep. I resorted to a good-old-fashioned hand tool, a fine tooth Auriou rasp.





Several coats of hand-rubbed tung oil every 24 hours, followed by an application of microcrystalline wax, and the piston was back on its way to California. Because of the time deadlines, I didn’t have time to set up my back-drop and photo lights; I had to photograph the finished piston using natural (outdoor) light on my deck.

I have the coolest job in the world...except maybe for Eugene and his crew!!

Robert Frost Maple Carved Spoons - Part 2

The spoons are sanded, and ready for the pyrography.


I drew a maple leaf free-hand with a pencil, and then go over my outline with a 10-A handpiece using my Eagle Burnmaster. Once the outline is finished, I use a shading handpiece to darken around the leaf edge.






And here's a finished leaf on the handle.


The two spoons, front and back of the handle.



Two spoons, signed and dated on the back of the scoop.



Several coats of a hand-rubbed oil finish, every twenty-four hours, and ready for delivery!

A Good Day

The dogs let me sleep 'late' -- I got up at 7:00 a.m.

The sun had already been up for awhile. After taking care of some inside the house chores, Eddie, Max and I headed outside and were greated with 41 degrees of sunshine. Followed the usual morning ritual of throwing the tennis balls and poop patrol (don't ask), I split some firewood. Pulled out the chainsaw, and cut some more cherry and heritage oak, for rough turning bowl blanks in the shop.

This was the first time this year that I could work in the shop with the overhead door open. Without the pressure of needing to create inventory for an upcoming show, I could spend some time focusing on shapes and refining some cuts.

Later in the afternoon, a few more sessions of tennis ball throwing, more firewood splitting, a little yard work on the blackberry bushes that tend to creap and take over the yard, and finished up with a couple hours of spoon carving.

That's my definition of a pretty good day.