Saturday, June 30, 2018

The finished Lilac Leaf

The finished Lilac Leaf.  This was a commission for Norman Stevens.  I presented this to him last night (Friday, June 29, 2018) at the opening of the Exhibition, Celebrating 85, The Stevens Collection.  All hand-carved and painted, I worked exclusively on this piece for two weeks, so that it would be finished in time to present to him in person.  He loved it!






Wednesday, June 27, 2018


There have been several more days of carving, focusing on the details - making it thinner, adding veins on the front and back, the Lilac Leaf is now ready for color.  That happens tomorrow.


Sunday, June 24, 2018

A Carving Commission.

A new commission, carving a Lilac leaf.  I’ve carved plenty of spoons and ladles, but a single leaf was a new one.

I started this project by taking photos of leaves on my iPad, to use as reference.  I have a very large lilac bush in my front yard, so I didn’t need to travel far.  Next step – select the wood.  I had to use a piece that was fairly thick, because I wanted the leaf to have curl and movement.  I opted to use a roughed out bowl blank, and cut the leaf from a side wall.  




Using a sheet of Acetate, I sketched a pattern, then cut it out and placed the clear pattern on the bowl.  Being able to see through the pattern was important for grain orientation.  The leaf stem would be very narrow and thin, and I needed to be sure that the grain orientation ran the length of the stem, rather than across.  Then using the bandsaw, I cut the leaf out of the bowl.

Several days of carving and I’ve got the leaf roughed out. Now to work on the finer shaping.



Thursday, March 22, 2018

Totally Turning, NY!  

Headed to NY tomorrow for Totally Turning, part of the Northeast Woodworkers Association Show in Saratoga Springs.  Join me on Saturday and Sunday, and I'll show you how I create these Illusions in Wood.





Monday, March 12, 2018

Long Time Gone...

Long time gone...since I last posted.  I've been busy, and here's the proof.
A few years ago I started a body of work, "It Satisfied My Soul."  Pictured above is number 5 in the series, (nicknamed Soul Series).  This piece was recently juried into the Fuller Craft Museum's Biennial Members Exhibition.  The Exhibition opens April 14, 2018 and ends October 7, 2018.  The Artist's Reception is Sunday, May 20 from 2-5 p.m.  I'll be there and would love to meet you!

Wednesday, October 30, 2013

NH Open Doors Tour

One way or another the World Series will be over by the weekend. What to do? How about taking part in a state-wide shopping and touring event? I, along with hundreds of other artists, craftspeople will join together this weekend and open our studios to YOU! Come visit me in my studio in Derry NH on Saturday, November 2 from 10:00 am to 4:00 pm and Sunday, November 3, from 12:00 pm to 4:00 pm. I will be woodturning on Saturday and carving on Sunday.
Have you ever wondered how a bowl is turned on a wood lathe? Drop by on Saturday; I have a cherry log delivery arriving this week, and it needs to be rough-turned into bowl blanks. On Sunday, I will be at my carving bench, working on one of a number of carving projects, using powered carving tools and pyrography equipment. Maybe even the one pictured above.

Sunday, June 10, 2012

The story behind Kyle’s chess set…. It all began about eight years ago with Harry Potter, so it was fitting that the chess set I made had a connection to that story…. When Kyle was I think, about eleven years old, he spent a week with me in New Hampshire during the summer. I was trying to come up with ideas, things that a kid might enjoy doing. I had been woodturning for a couple years, and knew that Kyle was a huge fan of the Harry Potter series, so I thought it might be fun to make a Harry Potter Wizard wand together. So Kyle and I turned – well, I turned, and he sanded – his wand. As we worked on the wand, here’s how the conversation went: Kyle: “Have you ever turned a chess set?” Me: “No, why, do you play chess?” Kyle: “Yes” Me: “Who do you play with?” Kyle: “My Dad” Me: “Do you beat him?” Kyle: “No, not yet.” Me: “Well, when you beat your Dad, I’ll turn you a chess set.” I didn’t know how good Kyle was, because he started beating him soon after on a regular basis. So I was on the hook. I had never turned a chess set, and it would involve turning skills that I did not yet possess, and some skills I never would – math! Multiple turned pieces had to be identical, a skill I had yet to accomplish. And following a set of directions on how to turn a chess set involved math – a skill that has always escaped me. But a promise is a promise….. Fast forward a few years during which several commitments and obligations came and went. But I got better at woodturning and started carving, too. I told Kyle that I would deliver his chess set when we came to Michigan for his high school graduation. As the date came closer (less than a year away), I looked at plans for turning a chess set, but none grabbed me. Then Dave happened into a bookstore that carried a woodturning magazine from the United Kingdom that contained the first of a three-part series on how to turn a very unusual chess set. The set was created by a woodturning Scottsman, who based it on the walrus ivory carved chess pieces found in a cave on the Isle of Lewis. These medieval chess pieces, several different sizes and none a complete set, are believed to be the oldest chess pieces in existence, dating back to the 12th century. The best part of the story is that the Lewis chess pieces were the basis for Wizard’s Chess in the Harry Potter stories. I had found the right chess set! The woods that I chose were Ash, for the light color and Wenge (pronounced Wen-gay), for the dark. Ash is a domestic wood; Wenge is a timber native to Africa. I had checked with Kyle about a chess board – I don’t do flat woodworking – way too much math – and he had one of Dziadzia’s chess boards, so we were good there. Then Dave asked me how I was going to present this chess set. A plastic grocery bag from Meijer’s?? No, that wouldn’t do, so Dave agreed to make the box, using the same woods as the chess set. This was a first for both of us- I had never made a chess set, and Dave had never made a box. This was about as far out of our comfort zone as we could get. But when you leave your comfort zone, magic happens….

Wednesday, October 5, 2011

NH Harvest 2011

It's time once again for NH Harvest - A Fine Arts and Crafts Open Studio Event. Every second weekend in October, which for New Englanders falls conveniently on the Columbus Holiday weekend, I open my studio to visitors.

For two days, I share my space with other artists, and we share the 'stage' demonstrating our skills in woodturning, carving, fine stoneware pottery and watercolor and pen and ink drawings.

If you live in the New England area, take a drive into New Hampshire, and stop by my barn. We'll be here from 10 am to 4 pm, Saturday and Sunday. And if you like what you see, we'll have several pieces for sale.

Below are some photos of recent work, maple hollow forms, painted with black gesso, and then chip carved through to reveal the contrasting wood. This is a test piece, practicing random carving patterns. You'll see this, and much more this weekend.




Thursday, August 4, 2011

Could You Polish My Piston????

That was the unusual request that I received, first by email and then to my studio phone.

Now before you jump to any naughty conclusions, let me explain. Eugene Henson, of JE Pistons, Huntington Beach, California, (http://www.jepistons.com/) had a wood piston that he and his crew made as a gift to present to their boss, who had been promoted and would be moving to Texas. They bought a piece of wood from Australia, and created a piston using the same CNC machines that cut the aluminum ones that are used in high performance race cars. The choice of wood - I’m guessing Sheoak, or Lacewood, but if any of my Aussie woodturning buddies can help me out, please do - was intentional, said Eugene, because they made pistons for an Australian race team.

“I guess we didn’t really think this through, because after we cut the piece, we wondered how we could put a finish on it, to make it really shine”, said Eugene. “I came across your work on Youtube and your website, and thought maybe you could help us out.”

Working on about a 10-day window, I received the piston that Eugene had shipped overnight, and began working on cleaning up some of the sharp edges. The CNC machine did a fine job of cutting the wood very cleanly, almost too clean, because the edges were sharp enough to cut you. I had originally planned to clean them up with a diamond stone held in a rotary tool, but most of the interior angles were too steep. I resorted to a good-old-fashioned hand tool, a fine tooth Auriou rasp.





Several coats of hand-rubbed tung oil every 24 hours, followed by an application of microcrystalline wax, and the piston was back on its way to California. Because of the time deadlines, I didn’t have time to set up my back-drop and photo lights; I had to photograph the finished piston using natural (outdoor) light on my deck.

I have the coolest job in the world...except maybe for Eugene and his crew!!




Wednesday, June 29, 2011

Stairway to My Heaven

While I was in St. Paul Minnesota last weekend attending the 25th Annual Symposium of the American Association of Woodturners (AAW), the stairway was built to the second floor of my barn.


Even though I moved into the building in May, 2009, it wasn't completely finished; the barn is still a work in progress. But with the help of fellow woodturner and ART member, Mike Green, over Saturday and Sunday, Dave and Mike got THIS project done. And while they were building the stairs, Mike's wife, Sharon kept them well fed, and was the perfect surrogate Mom to my dogs, Eddie and Max.

The deck at the top is 6 ft. by 6 ft. The two side rails are temporary and will be replaced by three drop-in rails, that can be easily removed for hauling oversized pieces straight up and through the doorway.


The entire second floor is for wood storage, and all the noisy equipment. With the exception of the air compressor and sand blasting booth, everything currently up here was carried up a 12 ft. ladder that was leaning against the bottom of the doorway. The small bowls and billetts were carried in an old rucksack over my shoulder. Larger pieces and stickered boards were lifted up by me, to my husband, who pulled them in the rest of the way.







That's Eddie, an English Pointer and one of my shop mates, in the middle of this photo.

Having the stairs will make it soooo much easier to store my blanks and billetts. Looks like Dave will need to build more shelving space very soon!




See all these posts that are flat on top? That's for my contribution. I need to turn finial caps for each of these posts. Hey, I can do that! I'm a woodturner!

Wednesday, June 1, 2011

Replacing a broken table leg

While the past Memorial Day Weekend was a time for family and fun, the 'Official' start of summer, I spent some of that weekend working in the studio. A woman contacted me about turning a replacement leg for a maple table that had been in her family for about 30-40 years.


As most of you know, I'm primarily a bowl turner. But I do enjoy a challenge, so took on this job as just one more turning. After calculating the materials costs and labor, I came up with a quote. The customer had no problem with that (hmmm... maybe I underquoted?)



Here's the finished table leg, ready for stain. And yes, I underquoted my labor. Lesson learned for next time.

Tuesday, May 17, 2011

Alan Carter Demonstration and Workshop

I'm hosting Alan Carter in my studio this weekend (May 21/22) for a demonstration and workshop. Alan's background in furniture making shows in his well-known body of current work - suspended vessels.

Alan's work can be seen here, at his recently updated website:

http://alancarterstudio.com/

Here's hoping that he won't need an Ark to get from the Manchester airport to my barn on Friday afternoon. :-)

Tuesday, November 30, 2010

My Christmas Present

Guess what I'm getting for Christmas? Shoulder surgery! I have a torn rotator cuff, the muscle has separated and pulled back from the tendon and bone, and I have another small muscle fissure at the front of the shoulder.

Just got the news yesterday afternoon from my ortho. I'll be looking at a 12 week recovery, with the first 2 weeks completely immobilized. Won't even be able to write my name (yes, it is my right hand).

I was pretty down yesterday, I imagine that would be expected. But today is a new day, and I will get through this. I believe that things happen for a reason - don't know why this one - but I will make it through this and come out on the other end even better.

Sunday, October 24, 2010

Turn and Burn Competition on Woodcentral

Last month I entered a competition for woodturning. The contest was to create a woodturned piece that had pyrography, or woodburning texturing. The competition was judged by three well-known woodturners whose work I've admired for a long time.

As a woodturner and artist, there is always some anxiety when putting your work out there for critique. Yes, your family and friends love your work, tell you how good you are, and make you feel all warm and fuzzy. Remember how much your Mom loved that elbow pasta artwork you made in grade school? That's what friends and family are supposed to do, right? The public doesn't know you, however, and will have no problem telling you if something looks like crap. So when you step outside your comfort circle of friends and family, make sure you're wearing your thickest skin.

Here's a photo of my entry.



On Friday afternoon, the results of the contest were posted. The first notice I received was a congratulations posting on my FaceBook wall from a fellow woodturner and Turn and Burn competitor. (Thanks, Jeff). My piece earned a third place finish in the competition. I was surprised and humbled by the choice, considering all the outstanding work that was submitted.

Here's a link to the competition page, with the winning photos.

http://www.woodcentral.com/contests/turning6/

Even better was the award - a gift certficate to a favorite woodturning store to buy more tools! How cool is that??

Monday, August 2, 2010

Robert Frost Maple Carved Spoons - Part 2



The spoons are sanded, and ready for the pyrography.


I drew a maple leaf free-hand with a pencil, and then go over my outline with a 10-A handpiece using my Eagle Burnmaster. Once the outline is finished, I use a shading handpiece to darken around the leaf edge.






And here's a finished leaf on the handle.


The two spoons, front and back of the handle.



Two spoons, signed and dated on the back of the scoop.



Several coats of a hand-rubbed oil finish, every twenty-four hours, and ready for delivery!

Tuesday, July 27, 2010

Spoon Commission

I attended my first national woodturning symposium of the American Association of Woodturners (AAW) last month, held in Hartford, CT. There I met wooden spoon collector, Norman Stevens, who had a small portion of his vast collection on display. Cheeky me, I introduced myself, sharing that, while I spend most of my time as a woodturner, I have discovered and appreciate the satisfaction of using simple hand tools to carve spoons.

We exchanged business cards, and about 10 days later, I received a request to carve him a spoon. I suggested the spoon be carved from the maple tree harvested at the Robert Frost Farm, in Derry, NH. This tree is said to be the inspiration for many of Frost's poems, including "Tree At My Window". I was there for the harvesting in 2007, documenting the entire day with photographs. Mr. Stevens was thrilled with the proposal, since he is originally from Nashua, NH.






I started working on the Frost Maple spoon today. But before I touched that valuable wood, I first carved a prototype from a lilac branch, which appears in the upper left corner of the photo. I often make prototypes which help me work out design ideas, form and proportions. And for this project, I'm carving two identical spoons. There's simply too much riding on this commission to risk making a mistake, especially near the very end.



I'll document this project, too, and post my progress on this Blog. I think it's fitting, that the tool I'm using in the bottom photo, with the curved blade, was hand-made by Del Stubbs, a former woodturner. I'm using this tool to carve out the concave scoop portion.

Wednesday, June 9, 2010

Binh Pho Coming Here!

I am honored to host a world-class woodturning artist, Binh Pho on June 12 & 13, 2010. His work can be viewed here, at his website: http://www.angelfire.com/il2/binhpho/

On Saturday, he will be demonstrating how he creates his thin-walled woodturned vessels by piercing them with high speed dental drill bits. Then using airbrushes, he paints scenes that depict events or stories drawn from his life.

On Sunday, a fortunate few will have the opportunity to participate in a hands-on workshop, learning the techniques he uses to create his unique works or art.

And yes, I am a fortunate one :^)

I am sooooo looking forward to this, as I have been an admirer of his work since I became addicted to woodturning almost ten years ago. Need to go clean up my studio now!

Wednesday, October 7, 2009

I just confirmed the forecast for the upcoming holiday weekend, and we'll be starting out with some beautiful fall weather! So there's nothing to keep you from getting out and enjoying it. And while you're out, make sure you stop by my Open Studio. Below are a few more samples of Bruce and Jill's artwork that you'll find this weekend, Saturday through Monday, (October 10-12) 10 a.m. to 5 p.m.







Jill will have the above two original watercolors, framed and matted, on display. I had a private showing of these last night, and they're really spectacular!




O.K., you're probably wondering, "Where's the woodturning photos?" Come to my open studio! Photos are great, but there's something very tactile about wood...you want to pick up the piece...it's warm....turn it over in your hands....your palm follows the curve, smooth as a baby's bottom...

Yes, come to the studio and you can pick up and hold any woodturning you'd like. Maybe you'll like a piece so much that it just has to go home with you. Well, that can be arranged.

Monday, September 21, 2009

Open Studio Columbus Weekend

I've been in my timber frame barn for several months now, and am excited that my first Open Studio is fast approaching. For three days in October, the Columbus Holiday weekend, (Saturday, October 10th through Monday, October 12th) my studio will be open to the public, from 10 am to 5 pm. Watch while I create my turnings on the full-sized lathe. You'll also have an opportunity to do some early Christmas shopping, and be the very first to see and own some of my latest creations. You can view some of my latest designs at my website. http://livealifelessordinary.com

Joining me that weekend will be two other artists, Bruce Haber, who creates stunning pottery, and Jill Haber, a talented pen and ink and watercolor artist.
Below are samples of their work:








Weather permitting, Bruce will be working on one of his pottery wheels. If you've never seen how these are made, it's fascinating!

Is there a better way to spend an October day? Hop in your car and take advantage of the beautiful fall colors. After all, isn't this why we put up with those bitter harsh New England winters? And while you're out, stop by the studio for some apple cider, Bruce and Dave's yummy cookies and one-of-a-kind hand-made artwork.


Wednesday, July 22, 2009

What Color is Your Rainbow?

I stumbled on this site, after reading another woodturner's blog. I took the quiz, "What Color is Your Rainbow." This is my result. What's your color?


Your rainbow is shaded indigo and green.


What is says about you: You are a proud person. You feel strong ties to nature and your mood changes with its cycles. Friends count on you for being honest and insightful. Those around you admire your fresh outlook and vitality.

http://spacefem.com/quizzes/rainbow">Find the colors of your rainbow at spacefem.com.